Review: The Legacy by Jere Cunningham

The LegacyThe Legacy by Jere Cunningham
My rating: 4 of 5 stars

Originally released in 1977, The Legacy by Jere Cunningham has been lovingly-reissued by Valancourt Books as part of their Paperbacks from Hell collection.

I was lucky enough to be gifted the full set for Christmas a couple of years ago, and have been slowly making my way through them when the mood strikes. For the record, I’ve loved them all so far. There’s something about dipping into a classically-told Horror story that’s just so cozy!

In this story, we meet David Rawlings, an ambitious young doctor, and his lovely family, as they inherit David’s childhood home after his father’s untimely death.

When David is notified that his somewhat estranged father has passed unexpectedly, he is in a bit of shock. His father was always such a strong man. He seemed untouchable. What could have happened?

In order to see to the arrangements, and meet with his father’s attorney, David packs himself and his family, including his wife, Sandra, their young daughter, Melanie, and beloved Doberman Pinscher, Streak, into the family car and makes the journey to small town Mississippi.

The property is outstanding. Sandra is struck by its vastness and beauty. At first she’s hesitant to remain there for the 7-weeks asked in the Will, but eventually she comes around.

The family starts to settle in, but from the start disturbing occurrences are happening around the property, including another death. David becomes convinced his father’s death wasn’t from natural causes, or an accident.

Something is going on here, and he needs to figure out what, because now the rest of his family is at risk.

The Legacy captured my attention with the rich Southern Gothic atmosphere. I loved how it was slowly built through the descriptions of the property and surrounding area.

The way events rolled out, building the suspense and intrigue, I felt it was masterfully done. I grew to love this family and was so worried about them ((particularly, the dog, of course)), because things were feeling so dangerous and uncertain.

There was inclusion of a few local characters as well that only helped to enhance the story, IMO. You could tell that some of the locals, friends of his Dad’s, knew what was going on, but they weren’t sharing the info with David, which was frustrating.

The occult elements truly amp up as the story continues, and it all filled me with a complete, nail-biting, sense of dread. It really was a great build. Two thumbs up.

Additionally, the Southern Gothic atmosphere was chef’s kiss and the trope-filled plot kept me on my toes. I would have given it a full 5-star rating, if it weren’t for some animal content that made it less enjoyable for me. There were parts with the dog I had to skim…

Overall though, a great, slow burn, classic-feeling Horror story that I recommend to any true fan of the genre. I def need to read more from this author.

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Review: The Face That Must Die by Ramsey Campbell

The Face That Must DieThe Face That Must Die by Ramsey Campbell
My rating: 4 of 5 stars

I first stumbled across The Face That Must Die in Paperbacks from Hell: The Twisted History of ’70s and ’80s Horror Fiction, where Grady Hendrix discusses it on pages 122 – 123.

There was something about the way Hendrix described Campbell’s distinct brand of Urban Horror that called to me. I needed to experience it for myself, so I found this pristine edition and immediately gave it a go.

This story mainly follows John Horridge, a man who you can tell fairly quickly struggles with life. His thoughts are despicable in many respects, but it does set the stage nicely for the ultimate events that play out.

You also get the perspectives of two young women, Fanny and Cathy, who live in flats in the same building, along with a few other young folks mentioned.

The residents of this building, unfortunately, become involved with John Horridge after he becomes obsessed with another man living in the building, we’ll just call him by his surname, Craig.

Murders have been plaguing Liverpool and Horridge suspects that Craig is the culprit, mainly because he is homosexual, Horridge’s word choice, not mine. It’s clear to Horridge that Craig and his sexuality are a threat to the city and Horridge can’t rest until he has flushed him out.

We’re in Horridge’s mind as he considers how vulnerable he is and how he needs to protect himself, all while he is literally stalking and harassing Mr. Craig.

As this novel begins and we are introduced to Horridge, you can tell he is on a collision course with those around him. This can’t end well, but never did I expect just how wild it would get.

In the beginning, we get brief glimpses into his childhood through his musings regarding his overbearing father, the accident that left him with a permanent limp and the bullying he sustained at the hands of his peers.

Sometimes, when you get that sort of a background on a character it can maybe evoke sympathy or understanding for their actions. I can say, not really the case here.

I did really enjoy the stark urban landscape as the backdrop. It enhanced the feelings of our characters, those of desperation, loneliness and isolation, not just for Horridge, but for the young people as well.

Cathy and Peter especially, it was difficult for them. Cathy really wanted to get out, but the money just wasn’t there for them to buy a home. It felt like you were trapped with them. I was frustrated for Cathy, particularly because Peter didn’t seem able to get out of his own way.

Also, Miss Fanny, the artist. I liked her character a lot and her storyline really got to me. She has a run in with Horridge outside the building and even though she describes meeting him as making her feel more uncomfortable than she ever felt in her life, she invites him up to her flat!

She believes he is an investigator looking into one of the murders, but even so. She felt it in her gut, but pushed her thoughts aside so as to be polite, or not to seem disagreeable.

This was interesting to me. A perfect example of how women, not so much anymore, were raised to smile, be polite, help out, even if it meant going against their own instincts.

These are just a couple of examples of what I found so interesting about this story. I was glued to the pages. It was uncomfortable to be in Horridge’s mind, that type of paranoia fiction that makes you feel like you need a very hot shower after.

As the plot progresses, Horridge spirals more and more into his paranoid, repetitive thoughts. There were aspects towards the end that reminded me of Raskolnikov’s descent into, shall we say guilt-fueled madness, in Crime and Punishment.

Overall, I was impressed with how immersed I got in this story. Some aspects felt dated, but it was first published in 1979, over 40-years ago, so that makes sense.

I think in spite of that though, the horror of the story remains as impactful today as it would have been then. I was properly disturbed after this one and can’t wait to read some more from Ramsey Campbell!

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