That Which Feeds Us by Keala Kendall
My rating: 3 of 5 stars
That Which Feeds US is a Gothic Hawaiian YA Horror story that follows a young woman, Lehua, searching for her missing twin sister, Ohia.
Lehua and Ohia, like many other native Hawaiians, are part of the Hawaiian diaspora, meaning they no longer live in their ancestral homelands. Lehua and Ohia were moved to Arizona by their Mom, and spent a good part of their childhoods living there with their grandparents.
Meanwhile, back in Hawaii, the home of generations of their family, luxury resort locations abound, providing dream vacations for the world’s wealthiest citizens.

Kōpaʻa Island Resort is just one of those exclusive destinations, and Lehua discovers it’s also Ohia’s last known location. She ends up following her sister’s trail there. The luxury wellness retreat is known for its persimmon orchard and promises of rejuvenation.
There’s no wifi, and no cell service. Visitors are completely cut off from the rest of civilization. While the rich and famous may find this refreshing, Lehua finds it unsettling and stifling. Nevertheless, she has to see it out. She needs to find Ohia and this could be her only chance.

As Lehua investigates, she learns more than she ever expected about the former plantation’s dark past, as well as the history of the people that lived there. Through haunting visions and mysterious warnings, Lehua fights to find the one she loves, but will she be successful, or end up swallowed up like so many others before her?
This is an important story, and it’s equally a very good story. This is representation that we don’t see a lot of, or at least I haven’t come across a lot of it, particularly in the YA Horror, or Thriller/Dark Fiction space.
I feel like I first heard the term, ‘priced out of paradise’, when Iam Tongi, a Hawaiian singer, who was a contestant on American Idol, mentioned it when explaining to the judges why he and his family no longer lived in his native state. This novel does an amazing job of exploring that very real life concern of many native Hawaiians.

I love Iam Tongi, and I’m so grateful that he won. I hope he’s been able to fulfill his dream of moving his family back to Hawaii, but not a lot of people are going to blessed enough to come into the kind of success he has in order to move back with costs the way they are currently.
In this story, Lehua and Ohia are orphaned by the time they’re teens. They come up in a system that has no connection to their cultural heritage. Ohia, in an effort to reconnect with their past, finds a spot working in this resort that’s essentially exploiting the lands of her ancestors. That was her only choice, she felt.
I liked how Kendall framed this story as Lehua’s hunt for Ohia. I think that set up really well a situation where Lehua could travel to this place and really dig into all aspects of it in order to find clues of Ohia’s fate. With this, it was an easy jump for Kendall to incorporate the real life horrors of the colonial past of the island, and the true ramifications it had on generations to come.

For me, that was the aspect I most appreciated about this novel. The exploration of those topics and the way that Lehua was able to come face to face with those realities via her investigation.
The weaker points for me were the pacing and the descriptions of the horror bits. I found the plot to be a bit meandering and I would have liked Kendall to lean even more into the botanical side of the horror elements, or as an alternative, more into a sense of place for the resort.
The horror at the resort, or the unsettling aspects of the resort, seemed to be the people. It wasn’t as much for me the atmosphere that was making it disturbing. I would have liked even more exploration of things that Lehua was feeling, smelling, sensing just around the place in general.

However, this has excellent bones and I think for Young Readers, the audience for which it is intended, this could be an incredible introduction to Supernatural Thrillers.
I also think there should be a copy of this in every high school library in the country for teens to have access to this type of critical representation.
Thank you so much to the publisher, Random House Books for Young Readers, for providing me with a copy to read and review. I’m definitely planning to read more from Keala Kendall and I hope she keeps on this same track. I’m sure we’re going to have a long and beautiful relationship.
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