Marion by Lean Rowan is a modern-feminist retelling of Robert Bloch’s 1959-Horror Classic, Psycho. Rowan’s version is the Villain Flip that I never knew I needed.
I enjoyed this a lot. More than I expected actually. I appreciated Rowan’s creativity, as well as all the nods she gave to the original story whilst truly making it her own.

We follow two perspectives, “Marion”, which was the name of the MC in Hitchcock’s adaptation of the novel, though Bloch’s original protagonist was Mary, and a young private investigator named Hannah.
Marion works at an ad agency in NYC, and ends up having a large sum of money come into her possession, given to her by her boss to deposit, and decides, after a hassle at the bank, to take the money and use it to help her sister, Lauren.
She flees with the money on a bus to Saratoga Springs, but the bus ends up breaking down and she finds herself stranded, late at night, far from her final destination.

It’s through this series of unfortunate events that Marion eventually finds herself at the small roadside motel that’s own and run by Norm.
From there things evolve fairly true to the original, but when the infamous shower scene kicks off, Marion gets the upper hand, kicking Norm in the balls, grabbing the knife and stabbing the life out of him.
Now Marion’s not just a thief, she’s a murderer as well. My, my, my, how quickly things can escalate.

Hannah, the private investigator, is on the hunt for a missing girl named Emily. She’s dogged in her efforts and ends up at the hotel in the aftermath of what went down with Marion.
These two perspectives weave back and forth, building out the bigger picture and carrying us towards the wild, and IMO, satisfying conclusion.
I did definitely enjoy Marion’s perspective more, but I always like an investigator as well, and Hannah supplied that for me. I would say some of the messaging from Hannah’s perspective was a little heavy-handed, but for the most part, it was well-done.

Personally, I wish it would have been set in the same time period as the original, the modern setting and the incorporation of Covid, was sort of a downer for me. I also feel like the twist of Marion getting the upper hand would have been more impactful in a historical setting.
Other than those minor things, I think this is a great debut. I loved the creativity and the way Rowan played true homage to the original, while also making it enough of her own story to feel original. I’m looking forward to reading more from her.
Thank you to the publisher, St. Martin’s Press and Macmillan Audio, for providing me with copies to read and review. It’s a macabre delight!

















































