The Noh Mask Murder by Akimitsu Takagi
My rating: 4 of 5 stars
**3.5-stars rounded up**
The Noh Mask Murder is a classic Japanese Murder Mystery, originally published in 1950, that has recently been translated into English for the 1st-time. This seems to be a big trend in recent years and I’m loving it.
Akitmitsu Takagi is the pen name of Seiichi Takagi and this was his 2nd-novel. His 1st, The Tattoo Murder Case was published in 1948 and has also recently been translated to English. I’m looking forward to getting to that one as well.

This story is a solid Locked Room Murder Mystery, a la Agatha Christie. It’s told in a really fun way, where our narrator/protagonist, funnily enough, is named Akimitsu Takagi. He’s a mystery writer who is sent to investigate a mysterious intruder seen lurking in the Chizurui family mansion one night.
The narrative style felt very film noir to me; like the old detective stories, which obviously makes sense considering the time this was actually written. For me, what brought that vibe full-on was the narration of the audiobook. It’s perfect for this story. I felt like I was in an old detective film while reading it.
The set-up was really good as well, with Takagi arriving at the Chizurui family home and really immersing himself in their lives. We meet all the players, and as with any family, learn of the secrets and tensions running among them.

It’s a classic whodunit, with the Reader picking up the clues alongside Takagi. There’s detective work on page, with him logically trying to map out how the initial crime, the murder of the head of household in his locked study, could even have occurred. I really liked those bits.
It did take me a bit to get my bearings in this story though. Most likely due to my own cultural lens having difficulty deciphering between different character names initially.
This can sometimes happen in translated works, where either names, places or different cultural elements may not be 100% clear, or easily understandable, for someone outside the original culture, or language, so I’m not going to be too hard on myself for that.
I think the more I read of these stories, which I’m very excited to do, the more acclimated I will become to the pacing, names and rhythm of the stories overall.

I would absolutely recommend this one to Classic Mystery Readers, particularly if you enjoy Agatha Christie.
Although, I will throw a Caution Flag that this does spoil the whodunit of The Murder of Roger Ackroyd, so if you haven’t read that yet and you’re planning to, you might want to read it prior to this one.
Thank you to the publisher, Pushkin Vertigo, for providing me with a copy to read and review. I can’t wait to read more of these classic Japanese Mysteries!




















































