Review: Our Cut of Salt by Deena Helm

Our Cut of SaltOur Cut of Salt by Deena Helm
My rating: 4 of 5 stars

Our Cut of Salt is one of those novels where I feel like I shouldn’t even be reviewing it. Who am I to provide my opinion on what is clearly a passion project for an author with more knowledge on this subject than I could ever have?

Then I remind myself that I’m not judging anything, all I’m doing is providing my opinion based on my personal reading experience. I’m not a critical reader. I’m not really ever evaluating the merits of a story, I’m just relaying the experience I had with it to y’all, so you can decide for yourself if you would like to read it or not.

I’m only mentioning this, because when I got to the end of this book, it was really hard for me to come up with a star rating. It was almost like when you read someone’s memoir, like how do you ‘rate’ someone else’s life story.

I know this is a fictional account, but it’s based in a difficult reality. Would I recommend you read it? Yeah, I absolutely would. It’s excellent.

A heart-wrenching, beautifully-told story of generational trauma, identity and place. Though quite Literary, which isn’t a go-to subgenre within Horror for me, I am so glad that I stepped outside my comfort zone and read it.

I was so impressed with the way Helm told this story. The structure really pulled me in. We’re following Marina, a Palestinian-American woman, who returns to Palestine to visit her recently deceased Grandmother’s childhood home. Her Grandmother, Nuhad, left Haifa in 1948 after the Nakba, but always kept the city in her heart.

Marina’s Mom, Haifa, named for the city that her own mother lost, also plays a prominent role in the story. We get all three women’s perspectives in a story that spans generations and helps to show the repercussions and length of war, occupation and resulting generational traumas.

The audiobook, narrated by Victoria Nassif, helped to bring this difficult story even more to life for me. I was swept up in Nassif’s narration and absolutely flew through this. I highly recommend that format if you can get it.

Another aspect of this that I really appreciated is that there is a place that becomes a character unto itself. I love when that happens. You don’t see it very often, but when it’s done, and done well, I think it can be so impactful.

An example would be Tiffany McDaniel’s On the Savage Side, where a local river is given a perspective on the tragedies happening within a town. I always love a true sense of place in a story and the way this is done is great. The history and feeling, the desperation. It’s so well done.

As someone who believes history can be held in the lands around us, the good and the bad, the feelings and traumas that may have occurred on the grounds we walk on, I don’t feel like that ever really goes away. You can feel it if you’ve ever been to certain places with a deep or dark history. I love when an author brings that idea to their stories like this.

As a haunted house story, this is absolutely unique and a truly powerful story. While not something I would typically gravitate towards, it did read a bit Literary for my tastes, I still walked away awed and impressed.

Helm should be so proud of this story. I think it’s going to deeply impact a lot of Readers.

Thank you so much to the publisher, Tor Nightfire and Macmillan Audio, for providing me with copies to read and review. I’m excited to read more from Helm in the future. This was a very well written story.

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Review: The Need by Megan Mostyn-Brown

The NeedThe Need by Megan Mostyn-Brown
My rating: 3 of 5 stars

**2.5-stars rounded up **

I finished The Need over 10-days ago, and I’ve been putting off writing this review. I am honestly at a loss for words. I really don’t have much to say about it.

It was rough for me. I can see its merits though, so wanted to give it at least a 3-star rating upon finishing. In hindsight though, sitting here now, trying to come up with something to say, I’m struggling.

The concept is great. I liked the idea that in the world of this story, there are people who carry a genetic disorder that requires them to eat human flesh. We follow a family, Talia, and her two teen children, Sam and Rosie. Talia and Sam have the condition, but Rosie does not.

Because of their ‘need’, no matter where they go, they end up getting in a spot of trouble, usually meaning Sam will kill and eat someone they know. After that happens, they need to flee. They live under assumed names and it’s a very lonely, nomadic lifestyle, especially for Rosie.

That’s the basic set-up, and in the beginning my interest was definitely piqued. I was excited to see where the author would take it, and I was happy that we were getting all three perspectives in the family. I thought initially we would just be getting the kids, so I was glad when we got our first section of Talia’s perspective.

However, soon we were getting a lot more other perspectives outside of the family, that to me, were the downfall of this story. I would have much rather stayed focused on their immediate family and gone from there.

It also, somehow, became incredibly boring. There was nothing happening, certainly nothing with the kind of intensity, or gore, I’m looking for when I pick up a Horror novel of this type.

Overall, the execution felt messy. Honestly, I hated how many different perspectives there were. I know I mentioned it before, but I just can’t get over that decision.

I almost feel like if the author was going to do that, all the perspectives, it could have worked better as a series, maybe a trilogy, like Justin Cronin’s The Passage series. That way, we could have some characters being followed in the 1st book, different ones in the 2nd, and then maybe everyone together in the 3rd.

In fact, now that I’ve said that, this does remind me in some ways of The Passage, a series I DNFed after the 1st-book. Maybe if you loved that series, this could work for you. I also think this could work for readers of Darker Literary stories that are more character-focused, than plot-focused.

At the end of the day, I’m glad I gave it a shot, but it’s definitely a bit of a disappointing read for me. Alas, we can’t love them all and that’s just my opinion. If it sounds interesting to you, you should absolutely give it a shot.

Thank you to the publisher, Del Rey, for providing me with a copy to read and review. I appreciate it!

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Review: The Salvage by Anbara Salam

The Salvage: A NovelThe Salvage: A Novel by Anbara Salam
My rating: 4 of 5 stars

**3.5-stars rounded up**

The Salvage is an atmospheric Historical Horror novel set on Cairnroch, a small island off the coast of Scotland, in the Winter months of 1962-63. We follow Marta Khoury, a trailblazing marine archeologist, who arrives to the island to explore a Victorian shipwreck recently freed from Arctic ice.

The wreck holds the remains of a celebrated explorer, as well as the spoils of his final expedition. On her first dive down to the ship, Marta does find what she was expecting as far as the explorer and his treasures go, but she also sees something unexpected. A dark figure, a shadow, lurking amongst the wreckage. How is that possible?

When a record-breaking winter freeze strands Marta on Cairnroch, she ends up developing a friendship with a local woman, Elsie, who works at the island’s only hotel. We get Marta’s day-to-day as she tries to navigate life on the island, among the locals, and far from her regular life.

After artifacts from the ship begin disappearing, Marta and Elsie are forced to hunt for them before anyone, most notably, Marta’s employers, find out they’re missing. With the pressures of work, and this feeling that something darker is haunting her, Marta’s looking forward to the thaw that seems will never come.

This was really good. I think Salam did an excellent job setting the scene and developing Marta’s character. While the content ended up being much more Literary than I tend to gravitate towards, it was saved by the great atmosphere and subtle creepiness. I also did become attached to Marta and was truly interested in her circumstances.

I was definitely invested in the plot, and while the ending went a bit against my tastes, I still think Salam did a great job with the story overall. There’s something so eerie about being stranded on a remote island during an icy winter. I should know, I live on one, and it’s one of my favorite, though unsettling, yearly events.

I would recommend this to Literary, or Historical, Horror Readers. Particularly if you’re an atmosphere girlie like myself. I also found Marta’s profession as a marine archeologist to be unique and it brought a lot to the story.

Anyone interested in stories involving creepy, underwater habitats should also check this one out.

Thank you to the publisher, Tin House, for providing me a copy to read and review. I’d definitely be interested in reading more from Anbara Salam in the future.

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Teddy Bears Never Die by Cho Yeeun

Teddy Bears Never DieTeddy Bears Never Die by Yeeun Cho
My rating: 3 of 5 stars

Teddy Bears Never Die is a translated Horror novel that follows a girl set on revenge, who pairs up with a possessed teddy bear in order to get it. Sound intriguing? I agree.

Hwayoung is the young woman in question, and the revenge she seeks is in regards to her mother’s death.

There was a mass-poisoning attack at the Seaview Parc, a luxury high-rise apartment residence, and her mother was reportedly one of the victims.

The poison was said to have been transmitted via tainted rice cakes, but Hwayoung knows that her mother hated rice cakes. Like really, truly hated them. There’s no way she would have eaten rice cakes willingly.

Hwayoung is determined to find out the truth of what happened to her mother, and bring those responsible to justice. This type of thing takes money though. Something she doesn’t really have, but she’s been hustling hard, saving her pennies, and her determination is unwavering.

As for the teddy bear, you’ll need to read it to figure that out.

I enjoyed this. The concept is great and I feel like Cho Yeeun explored some very heavy topics with grace and care, however that’s where I sort of lost interest, for lack of a better way to describe it.

It’s hard to explain. I appreciate the topics explored, however for me, when I was picking this up, I thought it was going to be light, fast-paced, fun and gruesome.

Even though I’ve been told my whole life, never judge a book by its cover, clearly I do. Because of this, I had a sort of expectations versus reality face slap with this one.

Nevertheless, a 3.5-star rating is a good rating. It’s a great book, just my personal experience with it wasn’t as high as I expected. Now that I have a better understanding of the author’s style though, I think future works that I pick up from her will be a better experience for me.

I would recommend this. As mentioned the concept is great and the hard-hitting topics, if expected, I think could make this a memorable reading experience. I think this would be an excellent fit for Readers who enjoy more Literary Horror.

Thank you to the publisher, Run For It, for providing me a copy to read and review. I’m happy to have been introduced to Yeeun’s work. I’m looking forward to more.

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Review: House of Margins by Tlotlo Tsamaase

House of MarginsHouse of Margins by Tlotlo Tsamaase
My rating: 4 of 5 stars

**3.5-stars rounded up**

House of Margins is a story of multiple parts. We follow Ranewa, whose sister, Anaya, went missing whilst participating in a very exclusive writer’s residency program in Cape Town, South Africa. Anaya was a rising star in the literary world, and went missing just prior to the announcement of the Günter Prize.

We also get excerpts from a True Crime podcast, created and hosted by another writer who had been in the writer’s program with Anaya, as she tells the story of the events leading up to Anaya’s disappearance. It’s sensationalized, hugely popular, and ends up attracting Ranewa’s attention.

We also get Anaya’s perspective, relaying her time in the residency program and the relationships formed there. It’s mysterious, serious and tackles some heavy topics. I respect that Tsamaase didn’t shy away from the difficult things, and the way the story evolves is compelling.

I loved the incorporation of the writing residency program and the feel of Günter Huis, the colonial mansion where the writer’s stay during their residency. It had such a eerie feel and did become an entity unto itself.

Admittedly, there were aspects I found difficult to track, and I’m sure I missed some details because of that.

I feel like the audiobook could have been better served with more variation amongst the audio narrators. There were three narrators involved in this production, which was well done, but honestly, their tone was all very similar.

I’m sure that’s me, but it did make it challenging to differentiate between the podcast, Anaya’s portions and Ranewa’s portions. The podcast was the easiest to differentiate out of the three, because it did incorporate normal podcast elements, like outros and intros, likes, comments, etc.

Regardless of anything I may have missed, the author’s intent and the topics explored still make this a memorable and fascinating read. I liked the more surreal elements as well, and the way the house became involved in what was happening to Anaya.

I would recommend this. It’s a tough one to explain as far as genres. It could really be categorized as so many different things. I would say Literary Horror could be a strong fit, so if that’s the kind of thing you’re into, you should absolutely give this one a go.

Thank you so much to the publisher, Erewhon Books and RB Media, for providing me with copies to read and review. Tsamaase put a lot of heart and passion into this story and it shows. I would love to read more from her in the future!

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Review: The Valley of Vengeful Ghosts by Kim Fu

The Valley of Vengeful GhostsThe Valley of Vengeful Ghosts by Kim Fu
My rating: 4 of 5 stars

**3.5-stars rounded up**

The Valley of Vengeful Ghosts is a Contemporary Literary Fiction novel with light Grief Horror elements. We’re following Eleanor, who is feeling lost and unmoored after the death of her mother.

For years, her Mom assisted her with every aspect of her adult life. Tasks like laundry, meals and finances, were much easier to manage with her mother’s constant oversight.

Now left to survive on her own for the first time, Eleanor is struggling. She’s barely holding onto her job as an online therapist and has no real friends, or support system. In spite of that though, she’s determined to buy her own home.

It was her mom’s last directive to her, and she does have a small inheritance with which to make a down payment. The housing market is tough though, and Eleanor has no experience or knowledge in that area.

She ends up impulsively buying a model home in a valley, where the development was never completed, yet the Realtor assures her more homes, and thus people, will come. For now, Eleanor seems okay with the solitude. She’s just happy to have a place of her own.

Then the rains begin. The weather, matching her mood, is a prominent figure in this story. It exposes the issues with Eleanor’s new home, and opens up a whole range of new problems for her to try to navigate on her own.

She also learns of the shadowy history of the developer, and that knowledge is never far from her mind. As Eleanor succumbs deeper to that which haunts her, the line between what’s real and what’s not begins to blur.

Out of money and options, Eleanor needs to get hold of her emotions, and push herself through the grief process, or risk losing herself to her ghosts forever.

Saying I enjoyed this feels strange, because for me, there’s nothing particularly uplifting or enjoyable about Eleanor’s story. It gets bleak, y’all. I can’t lie about that.

However, as a Literary Fiction examination of grief, I feel like this beautifully captured the experience of a person trapped in that grief cycle, and unable to free themselves from it. Eleanor, though not overly likable, is extremely relatable I feel, in a lot of ways.

I liked her narrative voice and felt like it fit really well with the overall message Fu was trying to get across. I also felt like the audiobook narration of Eunice Wong was the perfect voice for Eleanor.

Additionally, I did like how the things haunting Eleanor were presented, and the use of the weather to set the tone of the story. I could picture it all perfectly and I did begin to really feel for Eleanor and her predicament.

The ending as well, I felt was well-constructed by Fu. You aren’t necessarily going to get a happily ever after with this kind of story, are you? That wouldn’t make sense. Life doesn’t always tie issues up with a pretty ribbon, but what you do get here I think is perhaps a little hope.

This novel is not going to be for everyone, and I get that. I do. I think if you’re the kind of Reader though, who doesn’t mind going somewhere dark emotionally and poking around in there, this could work for you.

Thank you to the publisher, Tin House, for providing me a copy to read and review. While this didn’t lift my spirits, it did capture my attention and held it. That’s quite a feat these days.

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Review: The Summer Fun Massacre by Craig DiLouie

The Summer Fun MassacreThe Summer Fun Massacre by Craig DiLouie
My rating: 3 of 5 stars

**2.5-stars rounded up**

The Summer Fun Massacre features a unique take on the Tradition Slasher. In this book, we follow the police officer who arrives on the scene too late to prevent a tragedy.

For Tom, our MC, this kind of tragedy has struck twice in his life. Once in 1983, when the girl he was dating, Mary, ended up the final girl in a brutal Summer Camp slaying, and again in 1992, when another massacre occurs after the camp reopens. Tom is the 1st-officer responding to the scene.

That’s pretty much all the massacre you’re gonna get, the aftermath. We follow Tom in the days following as he deals with his complex emotions on both crimes and tries to solve them before they happen again.

I don’t know, y’all. I had high hopes for this one, but unfortunately, I feel like I am generously rounding up. I found it slow and boring; not a good match for my tastes, especially considering what I was expecting.

I wanted Summer Camp vibes and the massacre to be on page. Not a Summer Camp, named Summer Fun, that plays only a peripheral role in the story. I received zero ‘camp’ from this, and I’m salty about it.

I’m rounding up to 3-stars, not because I enjoyed the book, but because I believe others could. The writing is fluid, and Tom is well-developed as a character.

Even though I’m disappointed by the trajectory of the narrative overall, I do appreciate what DiLouie was doing here, switching up the perspective of a Traditional Slasher. I think that was a risk, and if he was comfortable going for it, I’m gonna support that.

I think that idea, to explore a different angle, and bring something new to the subgenre is a great idea, just for me, the content was dull as dirt.

At the end of the day, it lacked the fun and excitement I was looking for, and I feel like the title, though in a way, what the book is about, is sort of misleading. Fun was not had in my experience, and I needed more massacre as well.

With all this being said, just because this wasn’t necessarily my cup of tea doesn’t mean it won’t work for you. I can be a picky-B, so take what I say with a grain of salt. If this sounds interesting to you, give it go. You could be finding a new favorite.

Thank you so much to the publisher, Run For It, for providing me with a copy to read and review.

Even though this wasn’t a win for me, could I be convinced to read the sequel? Yeah, most likely. Yes.

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Review: Make Me Better by Sarah Gailey

Make Me BetterMake Me Better by Sarah Gailey
My rating: 2 of 5 stars

**2.5-stars**

Make Me Better mainly follows a woman named Celia. She’s struggling in her life. All she wants is a family, and no matter what she does, it’s not happening for her.

Seeking a way to make things better, Celia signs up for something called the Salt Festival, set on an island within the remote community of Kindred Cove. She buys their promise that healing is possible, even for her.

We follow Celia as she arrives at the island and starts to learn what the Salt Festival is all about. The individuals involved in the Festival are all provided lodgings and daily activities to help them to grow and heal.

In addition to Celia in the present timeline, we also get various other perspectives at numerous other periods in time, from months ago, to years ago, of people living at Kindred Cove. It’s a lot to wrap your head around.

At the start of the novel, I was very intrigued by the mysterious tone. I always find Gailey’s writing easy to get into and this was no exception. Unfortunately, the further I got into it, the more it lost my interest and attention.

The story has an interesting premise; Celia, traveling to an island to participate in the Salt Festival that she believes will heal all her woes. I could get behind that. I was ready to find out what her journey was going to be there.

The direction of the story does get pretty f*ed up, NGL, but not in a gruesome, or gory way, just in the truth of what it’s all about. Celia loses herself so deeply, IMO, in such a short amount of time, which honestly makes me sad. I know it’s possible, but still it’s sad to think about. This type of thing probably happens more than we’d like to imagine.

The construction of the story is what I struggled with the most. The time jumps, how random they felt, it made it hard to connect with the story.

I constantly felt like I was getting pushed out of it, and had to actively work to recenter myself in the narrative. It just wasn’t an enjoyable experience. I read for escape and relaxation, and for me, this was not relaxing.

I listened to the audiobook, which has the fabulous Xe Sands as narrator. I love their narration. They’ve done quite a few of Gailey’s novels, so that felt right. While the narration was well done, I feel like the story may have been better served had there been multiple narrators to help make the time periods and perspectives more distinct.

It was really difficult via audio to keep track of where you were in time and who you were following due to the single-person narration, IMO.

However, with all of this being said, just because it didn’t work for me, doesn’t mean it won’t work for you. I’m positive there are Readers out there who are going to be able to relate to Celia’s story, and better track the rest of what is going on, than I could.

Thank you to the publisher, Tor and Macmillan Audio, for providing me with copies to read and review. I always look forward to Gailey’s new releases. Their creativity and confidence to take risks are things I admire.

While this one wasn’t exactly my cup of tea, I’m still glad I gave it shot. You don’t know until you try!

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Review: The Library After Dark by Ande Pliego

The Library After DarkThe Library After Dark by Ande Pliego
My rating: 2 of 5 stars

The Library After Dark starts with Aria, a bookseller, and Jasper, one of her bookstore regulars, going on a Valentine’s Day date. It seems they’re new in their relationship, but if the date that Jasper has planned is any indication, he knows Aria quite well already.

He’s gotten them tickets to an exclusive, after-dark tour of the Daedalus Library. For a Book Lover, a dream date!

The Daedalus is an imposing establishment known for more than its book collection. It’s also filled with immersive genre-based reading rooms and rumored hauntings.

Even though Jasper believed it was going to be a private tour, it’s not long before other guests end up arriving and they’ve all got tickets for the tour as well. Though initially disgruntled, apparently he needs privacy to be romantic, there’s not much to be done about it.

Meanwhile, we learn from Aria’s perspective, that she has a personal connection to the Daedalus that she’d rather keep secret from Jasper and everyone else.

This was the section of the book that stuck with me the most. The other group members were Wes, Piper, Michelle, Callum, Ruth and Saskia, but Saskia worked at the Daedalus and was their tour guide.

Not long into the tour, the automatic doors seemingly malfunction, trapping the group inside the library. From there, it’s a fight to find a way out, but when bodies start dropping, it turns into a fight to survive the night.

I was pretty invested in this at the start. Meeting Aria and Jasper, as well as learning about the Daedalus was fun and engaging. Then all the other characters start rolling in, and we’re getting ALL of their perspectives.

We’re hopping around amongst them, learning about their connections to the Daedalus and trying to keep track of all the action going on in the library. It quickly became a lot.

Around 60%, my interest was gone entirely. It should’ve kept my attention. Everyone had secrets and their own motivations for being there, but the way it was tossed together, it made it unpleasant to try to track.

After that point, it was as unenjoyable for me as the author’s first book, You Are Fatally Invited. So, unfortunately, even though it did initially have a lot of promise, I was entirely let down by the second half.

It was sooooo convoluted by the end. I think this is my last go with this author. I gave their first book 1.5-stars and this is getting a 2. I just don’t think they’re for me. Good concepts, poor execution.

Thank you to the publisher, Bantam, for providing me with a copy to read and review. I’m sure I’ll be in the minority opinion on this one, but I’m always honest about my experience with the books I read.

Sadly, this author isn’t for me.

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Review: What Hunger by Catherine Dang

What HungerWhat Hunger by Catherine Dang
My rating: 5 of 5 stars

Impeccable. The topics explored, the characters and writing were all exceptional. This took me by surprise how connected I was to Ronny and her life.

This never felt like I was reading a book. I was completely immersed and pulled into Ronny’s thoughts and experiences. She was such an empathetic character, and as an older person, reading the perspective of this young girl, I just wanted to protect her.

She went on such a journey over the course of this story, and was so strong in the face of it all, even though at times it was confusing and maddening to her. I loved that even though the story contained truly horrific elements, Dang was still able to infuse it with such love and hope.

This story follows a teenage girl, Ronny Nyugen, the daughter of Vietnamese immigrants. She’s really close with her brother, Tommy, who is the golden child that Ronny never feels like she’s measuring up to.

There is some clashes between the parents and the kids, as their two worlds grapple. The parents are more old-school and traditional, whereas the kids don’t want to stand apart from their peers culturally. They’d rather fit in and do things a bit differently than their parents.

When tragedy unexpectedly rocks the family, Ronny’s world is turned upside down with nowhere to turn. In the midst of all of this, Ronny decides to attend her first high school party, where a boy she knows crosses the line with her, throwing her world even more into chaos.

We follow Ronny as she starts to spiral. As she tries to navigate some true daunting things without feeling like she has anyone to turn to for help.

Soon she begins to have an insatiable hunger for raw meat. This new craving could turn out to be a saving grace for Ronny, or her potential destroyer.

As mentioned above, this book is so well done. Beautifully-written, it pulls the Reader in with it’s raw emotion of this family’s life. I think Catherine Dang has a tremendous talent for channeling life into her characters. Ronny felt so real to me. Everything she was going through, and the complexity of her family, it was exceptional.

I would definitely recommend this to anyone who read and enjoyed The Eyes Are the Best Part. It tackles some similar subject matter, and the examination of culture and identity is just as vividly portrayed.

I loved how frank the narrative style was for Ronny. Her thoughts are what I would imagine a teenage girl’s thoughts to be under these circumstances.

I also really appreciated the examination of the more subtle battles, or tensions, between 1st-generation and 2nd-generation immigrant peoples within the same family. For example, Ronny talking about her and Tommy’s tastes in food and how her parents would make them feel bad about the things they enjoyed.

I think Dang is just so talented, how she wove so many different topics and themes into this one incredible and gripping story, yet still made it feel so cohesive and natural.

As you can tell, I loved this a lot. I was happy to see it at least made the nominees for the Horror Category in the Goodreads Choice Awards. Though it would have been close to impossible for this to get the recognition it deserves going up against some of the juggernauts that were in the Horror category, perhaps its appearance on that list will at least bring some new attention to this book.

Dang deserves all the flowers for this one!

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