Aviary by Maria Dong
My rating: 2 of 5 stars
Aviary begins with 19-year old Hee-Jin huddled down on the floor of her dingy Seoul apartment. She’s tense and nervous. We quickly understand that life hasn’t been an easy road for Hee-Jin. A knock on the door startles her. Is it the police, coming to ship her off to North Korea?
As an undocumented immigrant, this is a constant concern for her. Opening the door, she discovers not the judgemental glares of the police, but the disfigured, bird-like corpse of her younger sister, Hee-Young.

Hee-Jin is shocked. She can’t make sense of it. The last she knew Hee-Young was in America, enrolled in an exclusive and cutting-edge Art Program. Hee-Young was succeeding in pursuing her dreams. What is she doing back in Seoul, dead from an apparent bizarre overdose?
Searching her pockets, Hee-Jin discovers Hee-Young’s passport and a return ticket to America. Seeing her chance for freedom, Hee-Jin assumes her sister’s identity, takes the passport, the ticket, and hopefully Hee-Young’s place within this mysterious program. She’s determined to figure out what happened to her sister.

Before you come at me for spoilers, please note, all the above information can be found within the Publisher’s synopsis and it sold me. This sounded suspenseful and I wanted to know what happened to Hee-Young.
I was quite invested in the beginning. Hee-Jin ends up getting to America quickly. This all takes place by 11% into the novel. I really enjoyed the entire opening section.
By 17%, however, the pace slows down and a new perspective is introduced, Callie. She’s a woman with a connection to the Arts Program that Hee-Young was attending. I found her perspective extremely tedious and boring. That fact didn’t change throughout.

I had anticipated that Hee-Jin getting to America and immersing herself within Hee-Young’s life would increase the tension. I was expecting a steady build throughout, but it didn’t feel that way to me. Hee-Jin felt like such a passive character. I was expecting her to be digging around with haste, trying to figure out what happened to Hee-Young, but I didn’t feel like that developed as it could have.
Additionally, it took forever to get anywhere and even when things did start to kick off, I didn’t find them particularly earth-shattering, or even compelling. Callie’s sections really slowed down the pace for me since I had zero interest in her.
I would have much preferred to either just follow Hee-Jin, or perhaps to have had Hee-Jin more actively pursuing the truth in the present timeline, and then having a past perspective following Hee-Young, where we actually discover what happened to her at the Art Program.

By 65% in, I was mentally checked out. I just wanted it to be over. Oofh, I’m sorry. I know this sounds salty, but I have to be honest about my experience. I’m sure this author is a lovely human, because of the care spent on these characters, but this book felt like it would never end for me.
While the novel comes in at 321-pages, I felt like I was plodding through a 721-page tome. I’m sure many will value the important topics touched upon and social commentary, but I needed it to be a lot punchier than it is.

Thank you to the publisher, Severn House, for providing me a copy to read and review.
While this didn’t appeal to my particular tastes, I’m sure many Readers are going to be able to connect with it more than I did.
















































